In Coralie Fargeat's brand-new feminist terror movie The Substance, hazardous social appeal standards are the genuine beasts. They (women objectification, the disposal of "the aged," the spreading of an industry built on body modification) feed a beast of a pattern that leads Demi Moore's fading television individuality character Elisabeth https://chris-hemsworth-moviereview.blogdun.com/30562692/margaret-qualley-in-the-substance
The Substance (2024)
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